Sizing information
Overall size (inc frame) | x cm ( x in) |
Depth | cm (in) |
Artwork | x cm ( x in) |
Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
The paper size of our wall art shipped from the US is sized to the nearest inch. |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
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Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
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Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of John the Baptist, c. 1410
Product details John the Baptist, c. 1410
John the Baptist, c. 1410
John the Baptist, c. 1410. According to tradition, John the Baptist wears a hair shirt under a white cloth, associated with newly baptized Christians. The flag bearing a red cross symbolizes resurrection. In marked contrast, the background features a lavish gold-patterned silk. The display of such luxurious fabrics continues an ancient tradition of using the finest objects in the worship of God. This painting has been cut down along the lower edge and would have originally shown a full-length image of the saint. It was probably the right wing of a triptych, with John the Baptist gazing upon a central image of the Virgin and Child. Campin first settled in Tournai around 1405-6 as a free master of the guild of painters, and he bought citizenship there in 1410, which suggests he was born elsewhere. Although heavily indebted to contemporary masters of manuscript illumination, Campin displayed greater powers of realistic observation than any other painter before him. He was one of the first artists to experiment with the use of oil-based colours, in lieu of egg-based tempera, to achieve the brilliant colour typical of this period.
- Image ref: 2732684
- Heritage Art/Heritage Images