Sizing information
| Overall size (inc frame) | x cm ( x in) |
| Depth | cm (in) |
| Artwork | x cm ( x in) |
| Border (mount) |
cm
top/bottom
(in)
cm left/right (in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our prints
We use a 200gsm fine art paper and premium branded inks to create the perfect reproduction.
Our expertise and use of high-quality materials means that our print colours are independently verified to last between 100 and 200 years.
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Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all unframed prints are despatched within 1–3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £5 for an unframed print of any size.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Cader Idris, with the Mawddach River, c. 1774
Product details Cader Idris, with the Mawddach River, c. 1774
Cader Idris, with the Mawddach River, c. 1774
Cader Idris, with the Mawddach River, c. 1774. In the distance the peak of Cader Idris is shown, while riders in the foreground descend toward the river Mawddach. Although almost all of Wilson's earlier pictures of Wales suggest some association with that country's heroic past, here the emphasis is on the pleasing beauty of the land. Another version of this picture is in the Walker Art Gallery in Liverpool. Richard Wilson was the first major British artist to specialize in landscape, a focus he pursued intently after a visit to Italy in 1750-6. The countryside around Rome, with its rich associations of ancient grandeur, inspired him to look at landscape as a source of poetry. Back in England his Italian landscapes, which appealed to his patrons (mostly English noblemen) were a great success. He then applied a similar approach to his English and Welsh scenes, treating them as vehicles for ideas and emotions.
- Image ref: 2725100
- Heritage Art/Heritage Images
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