Sizing information
| Overall size (inc frame) | 54 x 44cm (21.3 x 17.3in) |
| Depth | 0cm (0in) |
| Artwork | 39.5 x 29.5cm (15.6 x 11.6in) |
| Border (mount) |
7.25cm
top/bottom
(2.9in)
7.25cm left/right (2.9in) |
| The paper size of our wall art shipped from the US is sized to the nearest inch. | |
Our framed prints
Every framed picture is created by hand in our workshop by specialist framers.
Black, white, silver, gold or natural frames available, supplied ready to hang.
All our frames have a smooth satin finish, and measure 20mm (front face) by 23mm (depth from wall).
Read more about our framed art prints.
Manufactured in the UK, the US and the EU
All products are created to order in our print factories around the globe, and we are the trusted printing partner of many high profile and respected art galleries and museums.
We are proud to have produced over 1 million prints for hundreds of thousands of customers.
Delivery & returns
We print everything to order so delivery times may vary but all framed pictures are despatched within 3 days.
Delivery to the UK, EU & US is free when you spend £75. Otherwise, delivery to the UK costs £10 for a single framed print.
We will happily replace your order if everything isn’t 100% perfect.
Product images of Branch Hill Pond, Hampstead, 1828
Product details Branch Hill Pond, Hampstead, 1828
Branch Hill Pond, Hampstead, 1828
Branch Hill Pond, Hampstead, 1828. From 1819 to 1826, Constable rented a summer house at Hampstead, a quarrying district on the northern outskirts of London, where he made drawings, oil sketches, and paintings of the surrounding landscape. In this painting, the atmosphere plays a dominant role. The artist meticulously observed and recorded cloud formations, weather conditions, and natural light effects; he believed an accurate rendering of these constantly shifting elements could transmit the vitality and freshness that was so important to his vision of the English countryside. Constable's insistently overcast skies, with rain or the promise of rain, were distinctly British, and his treatment of them is how he distanced himself from the more temperate Italianate landscapes, seen in the golden glow of sky in paintings by Richard Wilson, Thomas Gainsborough, and John Martin that many still considered the ideal of natural beauty.
- Image ref: 2724723
- Heritage Art/Heritage Images
Find related images
zoom
